About
Allies in Arts supports women, BIPOC, and queer* artists in all mediums through education, grants, exhibitions, and partnerships.
*We define queer to mean anyone under the LGBTQQIA2S+ umbrella.
Artists from our communities face barriers as a direct result of race, gender, sex, and sexual orientation. We seek to break down those barriers by awarding grants, curating exhibitions and screenings, and connecting artists with the decision-makers who can hire them.
We are queer and trans-led 501(c)(3) non-profit organization. We are artists, activists, and educators. All the questions we seek to answer with our organizations are questions we’ve been forced to ask ourselves.
How do I make art if I can’t survive?
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Where can I share my work in a world that silences people like me?
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How can we make this process less painful for future generations?
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How can we leverage our intersectional experiences of discrimination, turning our various victimhoods into assets that allow us to activate potential allies?
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How do I make art if I can’t survive? 〰️ Where can I share my work in a world that silences people like me? 〰️ How can we make this process less painful for future generations? 〰️ How can we leverage our intersectional experiences of discrimination, turning our various victimhoods into assets that allow us to activate potential allies? 〰️
Ready to get involved?
As long as there’s discrimination, we need Allies.
Let’s even the odds. Together.
Learn more about our team, our collaborators, and how we got started ↓
Team
-
Drew Denny
She/her
Executive Director
drew@alliesinarts.org -
Kyle Lasky
He/him
Program Director, Transanta
kyle@alliesinarts.org -
Dr. Ren Heintz
They/them
Program Director, Transchool
transchool@alliesinarts.org -
Jane McCarthy
She/her
Development Director
jane@alliesinarts.org -
Aden Hakimi
He/him
Director -
Lara Maldjian
She/her
Grant Writer -
Anabella Ramos
She/her/ella
Digital Media Curator -
Mars Dixon
He/him
Transanta Elf -
Olíver-Eluz Infante
He/him
Transanta Elf -
Claudia Roley
She/her
Transanta Elf
Collaborators
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Dr. Cameron Awkward-Rich
He/him
Mentor, Transchool -
Minhal Baig
She/they
Film Programmer, 2020 Collection -
Jibz Cameron
She/her
Fiscal Sponsee -
River Gallo
They/them
Film Programmer, 2020 Collection -
Esti Giordani
They/them
Mentor, Transchool -
torrin a. greathouse
She/they
Mentor, Transchool -
Emily Jampel
She/her
Curator, 2020 Collection -
Andrea Jenkins
She/her
Mentor, Transchool -
Shoshana Katz, LMFT, MSc
She/her
Mental Health Advocate, Transchool -
Ali Liebegott
She/her
Mentor, Transchool -
Amos Mac
He/him
Mentor, Transchool -
Thomas Page McBee
He/him
Mentor, Transchool -
Jaclyn Moore
She/her
Mentor, Transchool -
Wanjiru M. Njendu
She/her
Film Programmer, 2020 Collection -
Stacy Osei-Kuffour
She/her
Film Programmer, 2020 Collection -
Dr. Sylvan Oswald
He/him
Mentor, Transchool -
Kase Peña
She/her
Film Programmer, 2020 Collection -
Jasmin Porter
She/her
Curator, Queer Black Futures -
Shaé Smith
Them/them
Fiscal Sponsee, Chosen Kin -
Chase Strangio
He/him
Fiscal Sponsee, Trans Advocacy -
Dr. Karen Tongson
She/her
Film Programmer, 2020 Collection -
Sophia Wallace
She/her
Curator, Anti-Venom -
Suzi Yoonessi
She/her
Film Programmer, 2020 Collection
Our story
Allies in Arts was founded in 2015 by Drew Denny and Paco de Leon.
“I was getting paid less than half as much as he was to do seven times the work”
A letter from Drew Denny
In 2015, I was working at a major international media corporation when I approached the accounting desk to turn in an unpaid invoice. As I handed my invoice to the accountant, I couldn't help but notice that my male colleague’s invoice, sitting out on her desk, listed his pay as more than twice my own pay.
I said nothing, because I was afraid of losing my job.
But as I drove home in Los Angeles gridlock traffic, I couldn’t stop thinking about how a man with my same job title was being paid more than twice as much as me, even though he had only been tasked with finishing one episode of the show we were producing in the same period of time during which I was required to produce seven. I was getting paid less than half as much as he was to do seven times the work?!?!
This was pre #MeToo, pre Times Up, before there were any resources for folks in my position. I couldn’t report them because I knew they would retaliate. So, I shared this frustration with my friend Paco de Leon, a fellow artist who had made the wise decision to go into business and finance, and Paco suggested I start an organization.
I knew vaguely that there were “not enough female directors” and that museums underrepresented works by BIPOC artists and LGBTQ+ identified artists. But the statistics were bleak. At that time, less than 10% of artists exhibited in most major museums were female and less than 4% were BIPOC. Less than 2% of directors were female, and the numbers were worse for women of color and queer women.
Paco de Leon and I founded Allies in Arts in 2015 with a mission to support artists who identify as women, BIPOC and/or LGBTQQIA2S+. We worked with a pro bono legal team to file the paperwork, and it took us about a year to officially get our 501c3 status. We started with smaller initiatives that grew organically over time.
Paco went on to found a bookkeeping agency, write a book, and be a rockstar. Kyle Lasky joined the organization, bringing with him the monumentally transformative mutual aid project @transanta and a new focus on supporting trans youth that inspired us to found our first educational program, Transchool.
Over the years, we have facilitated affirming gifts to 7,000+ trans youth, granted funds to over 400 queer and BIPOC artists, programmed films by about 100 queer and BIPOC directors, curated public Pride art walks and murals with dozens of artists in cities all around the US, and are now providing paid classes for trans youth writers every summer (meaning - the students are paid to attend class!)
I’m so grateful whenever I can find a way to turn something painful into something generative. What a pleasure, to zoom out from our individual crises and refocus on how we can lift each other up as a collective. I had no idea that a grumpy commute would result in over a million dollars redistributed to women, queer and BIPOC artists (It’s amazing what one really bad day at work can lead to!) but in many ways, it feels like we’re just getting started. So I hope you’ll join us - let’s even the odds!
Drew Denny
Co-founder, Executive Director